BEING IN THE MOMENT THROUGH IMPROVISATION
Touching the Spirit by Improvisation
DOI:
https://doi.org/10.17740/eas.art.2026-V22-05Keywords:
Improvisation, Play, Dance, Presence, Awareness, CreativityAbstract
The aim of this study is to examine the importance of improvisation for dancers and to discuss how the instinct for play, naturally present during childhood, can be rediscovered in adulthood. The relationship between play and improvisation is explored through observations of children’s play practices, and the effects of improvisation on creativity, bodily awareness, and presence are examined. The study is based on a literature review, drawing primarily on the works of Garcia, Plevin, and Macagno on creative movement and dance, as well as Alain Badiou’s reflections on dance and thought. In addition, the views of improvisation artist Katie Duck are discussed. The findings indicate that improvisation enhances bodily awareness, supports creativity, and enables individuals to establish a deeper connection with themselves. As a result, improvisation can be understood not only as a performance technique but also as a practice of awareness, freedom, and presence.