WORKING METHODS TO PROVIDE EASE OF PASSAGE ON ?LA-MI? - ?MI-LA? MUSICAL NOTES ENCOUNTERED IN CLARINET TRAINING

Abstract

Seventeen studies of etudes were written in this study, consisting of the passages ?La-Mi? and ?Mi-La?, which came across as a transitional difficulty encountered in clarinet teaching. The written etudes are original etudes. In the studies, it was aimed to solve the technical working method in the short term and to select the study according to that passage in difficult passages encountered. By identifying the technical difficulties in the passages and reinforcing these difficulties with etude, it is aimed to be more efficient in the works that will be played in the future. The clarinet players who want to learn and reinforce the techniques have been offered a guide to study. In this study, a research has been made on how to overcome the difficulties faced especially in the passages of "La-Mi" and "Mi-La" by the people who aim to learn to play the clarinet. It has been determined that the passage (La-Mi-Mi-La) problem to be encountered in a work while playing the studies can be solved in a shorter time. Especially keeping our fingers close to the frets enabled the rapid passages to be played faster. It is also very important to improve timbre quality in practice studies. While performing the passage study, it was also asked to do a nuance study. After attaining technical competence, it was determined that the power of musical interpretation also progressed. Thus, while playing the study, a few points (passage, nuance - articulation, etc.) he/she was asked to be able to think and control. Working through the passages (La-Mi - Mi-La) accurately and rhythmically will allow us to spend less time in future works. The individual instrument working process will also increase the importance of instrument success. The etude study will also bring musical discipline and meticulousness. Technical difficulties in the study were identified and examples of studies for the elimination of these technical passages were presented. It is aimed to contribute to interpretive strength and technical development in music performance. The aim of the research is to guide the clarinets.