NABI'S FAMOUS "GÖRMÜSÜZ" REDIF OF NAZIRES AND ODES WRITTEN TO TAHMIS

Abstract

Yusuf Nabi, (1642-1712) who lived in the 17th century philosopher by its exclusive style came to the forefront, is a poet in his own era has left its stamp on Turkish literature and in the next century. In this study, Nabi's famous “görmüşüz” redif of ghazals written satires and tahmis examining the poet has put forward only through a ghazal that influence how the divan literature. Ground adopted the poem as “görmüşüz” redif of ghazals, both written in the era should be written in the next century satires and tahmis by many poets. Cesârî, Cûdî, Ecrî, Fâzıl, Fennî, Garîbi, Halîm, Hanîf, Harâbî, Haşmet, Hâtem, Hevâyî, Mâhir-Seyyid, Muhyî, Neylî, Nûrî, Râsih, Su’ûd, Tırsî, Tâhir, Yahya Kemal and Ziver wrote “görmüşüz” with what ode redif 22, Neyli, Nihali written by Şakir and Veysel Öksüz 4 tahmis, some criteria have been classified in terms of form and content of the light. According to the results obtained from comparative studies; Some poets Nabi's “görmüşüz” ode by the satires have created a Nabi arm, some poets undetectable Sheikh Galib's “görmüşüz” by redif of ode to the arrangement constituted a Sheikh Galib arm. Galib are satires in the arm is usually the same meter and rhyme redif has similar poem and utterance. Name of Galib arm most of the Mevlevi poet. These poets; Fâzıl Paşa, Enderunlu Halîm, Cûdî, Mâhir-Seyyid, Muhyî, Su’ûdu’l- Mevlevî, Tâhirü’l- Mevlevî and Yahya Kemal are mostly 19th and 20th century poets. Fenni, Edib and Ziver is thought to be still in the arm. Nabi's ghazal to nazire by the poets; Neyli, Hevayi, Cesari, Hasmet Ibrahim Hanif, Rasih, Tırsi, Ecri, Hatem, Nuri and Garîbi are as 18.v 19th century poet. Neyli, Nihali and Şakir, has tahmis the Nabi's ghazal Veysel Öksöz Yahya Kemal also wrote the ghazal to tahmis.